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Obviously, the emotional pain persists, many, many long years after "You Can't Do That on Television."\xA0 All Alanis wants is for the world to dance and sing along with her catharsis.\xA0 Can you really hold it against her? Of course not! So don't think you can write Morissette off as doing nothing more than cataloging her relationship grievances.\xA0 On "21 Things I Want in a Lover," Alanis files an audio personal ad of what she's looking for in a man (note to fellas: be against capital punishment, and inventive in bed!), a move that could come off as self-indulgent, but in a personality as luminescent as Ms. "So Unsexy": "I'm 13 again/ And I'm 13 for life." "That Particular Time": "I kept on ignoring the ambivalence you felt/ And in the meantime I lost myself."
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"Flinch": "How long can a girl be haunted by you?" Because even though "it's been over a decade/ It smarts like four minutes ago."\xA0 Observe: The most marked effect of breaking away from Ballard's input is the unmitigated and highly concentrated ferocity of her lyrical confessions.\xA0 It's no mistake that Under Rug Swept comes off like a 45-minute glimpse into her daily therapy session.\xA0 Morissette wants to put a little bit of her head inside of yours, riding on a catchy hook- to give all of us a taste of what it feels like to be dumped by Dave Coulier.
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This fierce independence finds its way into every aspect of Under Rug Swept, her first album without the assistance of professionally licensed hitmaker Glen Ballard.\xA0 Morissette was obviously taking notes during their previous two collaborations, however, as these eleven songs retain the Jagged Little Pill formula of safely looped drums, angry guitar, and Alanis' trademark clenched-teeth yodel.\xA0 The immediacy is further amped by the fact that Morissette plays nearly all the instruments on the album, finally putting to rest the rumors that she's nothing more than a producer's puppet. The man don't mess around.Ĭoulier's ghost continues to float over and around Morissette's music, perhaps while doing his famous Popeye impression and mugging wildly.\xA0 The Canadian confronts this secret relationship in her most direct manner yet on the first single from Under Rug Swept, "Hands Clean."\xA0 By assuming Coulier's voice and singing lecherous lines like, "Just make sure you don't tell on me, especially to the members of your family," and, "I might want to marry you one day if you'd watch that weight and keep your firm body," Morissette must be making Coulier very uncomfortable wherever he is today. And yes, the person she went down on in a theater was. Throughout her career, Alanis Morissette has railed in a similar manner at an unnamed lover from her past, a mysterious figure described only as an older man from her days at Nickelodeon.\xA0 But now, on the promotional tour for Under Rug Swept, Morissette has bravely revealed the identity of her bitter muse: Dave Coulier! That's right, when Morissette had one hand in her pocket, the other hand was giving the finger to Uncle Joey on the 80s television hit "Full House."\xA0 It was like ray-eee-ain on your wedding day when her and Dave Coulier broke up. One of the great, universal inspirations throughout the history of rock and roll has been the death of a relationship.\xA0 In 1972, Carly Simon scored a hit with "You're So Vain," a thinly-veiled sendoff to former beau Warren Beatty.\xA0 John Lennon, while separated from Yoko Ono, wrote some of his most harrowing songs, such as "Jealous Guy."\xA0 And at the core of Fleetwood Mac's Rumours was the searing open wound of Lindsey Buckingham and Stevie Nicks' messy breakup.