3/17/2021 0 Comments Franz Lehar Die Lustige Witwe
Theres not much dialogue which suggests to me that some has been cut for repeated listening that can only be a good thing.Our payment security system encrypts your information during transmission.We dont share your credit card details with third-party sellers, and we dont sell your information to others.
To Add to List, choose from options to the left classa-button-group a-declarative a-spacing-none data-actiona-button-group roleradiogroup. To Add to List, choose from options to the left classa-button-text a-text-left rolebutton. After your purchase, you will receive an email with further information. In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers, and factors that establish reviewer trustworthiness. I play it constantly in the car. He looked and acted the part and both his voice, and Cheryl Studers are sublime. The performance bubbles along, and all the distinguished soloists acquit themselves idiomatically. The sound seems to me to be a problem: it is as if one is hearing the singers from behind the orchestra - yes, but NOT with the orchestra in a pit. It almost sounds as if the soloists are coming from an adjacent room with the door half-closed Some of the spoken dialogue is very difficult to make out. I have always loved this piece, and I decided to hold out for a classy recording, having heard a track of this one on the radio.It was a good decision The singing is glorious, and all the tempi feel just right. I was lucky enough to find a second-hand copy on Amazon, but it would be well worth paying the full price. Here hes conducting a real orchestra the Vienna Philharmonic in repertoire that the HIP brigade wouldnt touch. He has proved himself in the past to be as at home with modern orchestras as well as with period instrument ensembles, and he rises admirably to the occasion here. He gives us plenty of schmaltz, especially in the beautiful waltz, and points up the fun element of the faster numbers with great attention to detail. She brings just the right amount of charm, sophistication and vocal artistry to the role, and her singing of the highlight of the opera, the Vilja Lied, is ravishing. As a side note, I was put off this song years ago when the comprehensive I worked at put on a production of this operetta. It was bad enough that I sang one of the minor parts, but I only had one solo line and managed to bribe one of my pupils into coughing loudly enough that my contribution was inaudible. Worse still, we had a Home Economics teacher who fancied herself as a diva. Her rendition of the Vilja Lied shattered windows for miles around. It put me off the aria for a very long time) Barbara Bonney and Rainer Trost are excellent as Valencienne and Camille, and Boje Skovhus is suave and characterful in the role of Danilo.
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